Devon Carney Talks Dance Festival

Dear Dance Enthusiast,

This is a very exciting time in the history of Kansas City Ballet. How wonderful to say we are 60 years old—celebrating our age, maturity and staying power in the cultural landscape of KC! So, in honor of our 60th I’ve brought together six incredible, challenging and inspiring works for our KCB artists to perform. These ballets represent the incredible diversity of works in the field of dance and help showcase the talents within our current assemblage of world-class artists.

Kansas City Ballet Dancers Angelina Sansone and Liang Fu rehearse a world premiere by Andrea Schermoly. Photography: Elizabeth Stehling.
Kansas City Ballet Dancers Angelina Sansone and Liang Fu rehearse a world premiere by Andrea Schermoly. Photography: Elizabeth Stehling.

Given a dancer’s career is only so long, it’s important to seize opportunities to perform a variety of ballets to experience it all, or as much as one can! This diverse collection of works in a compact time period is just that chance. Performing both Jirí Kylián’s Petite Mort and also the highly regarded Balanchine’s Diamonds is a treat, then to turn around and dance contemporary work like James Kudelka’s The Man in Black and Stanton Welch’s Play is incredible, but that’s not to mention the thrill of being in on the creative genesis of two new works from Matthew Neenan and Andrea Schermoly. This will be two weekends for the books!

Kansas City Ballet Dancer Michael Davis rehearsing The Man In Black. Choreography by James Kudelka. Photography: Elizabeth Stehling.
Kansas City Ballet Dancer Michael Davis rehearsing The Man In Black. Choreography by James Kudelka. Photography: Elizabeth Stehling.

As an audience member, these experiences can equate to a fabulous banquet where you find lots of
tasty treats to delight your palate. This magnificent variety of dance has been produced in the latter 20th century right up until today. What’s more… all but one of these choreographers are still living. I applaud you for taking a risk to see this program. The payoff can be priceless: enjoying more entertainment diversity, developing a deeper love and appreciation of dance and being able to share that personal experience with those close to you. Thank you for trusting us and earning your hypothetical dance pioneer badge.

Kudos to our dancers for their extraordinary efforts in presenting this series. It’s an arduous undertaking for us and unprecedented for our company to tackle six works in this short amount of time. But we believe the risk is worth it. The dancers are thrilled and we think you will be, too!

Kansas City Ballet Dancers Taryn Mejia and Michael Davis rehearse Petite Mort. Choreography by Jiří Kylián. Photography: Elizabeth Stehling.
Kansas City Ballet Dancers Taryn Mejia and Michael Davis rehearse Petite Mort. Choreography by Jiří Kylián. Photography: Elizabeth Stehling.

Yours,
Devon Carney, Artistic Director

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