On Tuesday, May 15, Kansas City Ballet School presented its 2018 Spring Performance at the Kauffman Center for the Performing Arts. Students from Level 2 up to and including the Student Trainees from Kansas City Ballet’s Second Company performed a variety of works for the more than 900 in attendance.
Kansas City Ballet School Director, Grace Holmes, said: “I am so proud of the accomplishments of our students this year. Our Spring Performance showed off our students’ hard work and allowed them the incredible opportunity to share their passion on the Kauffman stage. The depth they are achieving in this wonderful art form of dance is so beautiful to see – they make our School proud!”
“It‘s wonderful to watch our students grow technically and artistically as they prepare for YAGP,” KCB School Director Grace Holmes said. “Having something to work towards and an opportunity to share their hard work, contributes to students’ self-confidence. And our students are so supportive of each other – it shows how close-knit our Academy community is.”
More than 10,000 students from 31 countries who competed during the regional finals around the globe. Only 1,500 were invited to the finals in New York. Of these 800 were soloists of which KCBS happily had three, one made it to the final round: Poppy Trettel.
While KCBS students did not place at the national competition finals this year, three received scholarship offers from prestigious schools.
Hannah Zucht: Harid Conservatory
Simo Atanasov: Joffrey Ballet
Poppy Trettel: Canada’s National Ballet School
Shaping the Future
When asked about the event, Racheal Nye, principal and YAGP coordinator, said, “It’s great to see the growth in the kids by the end of the process, and see the school represented so well at an international event. I also really enjoy being inspired and motivated by other schools and seeing the talented students from around the world.”
Nye is proud of the way the KCBS students were kind and welcoming to other participants, and their professional attitudes. For example, the Baroque ensemble dancers were reviewing independently and had lined up at open stage to space before she even got there to look for them.
Every year Nye reads through the written performance critiques from the YAGP judges. Her goal is to incorporate these corrections into how she teaches all of her students going forward. She tries to approach the things she wants to fix by gearing the combinations to train the body to reflexively accomplish the move correctly. By looking at the experience as a whole, she attempts to answer these questions:
What pieces/choreography seemed to do well?
How prepared were the students and was there anything that she could do in advance that would make things run more smoothly?
What could she learn about preparing better for the venue? Etc.
In doing so, the results from these competitions shape strategy for future years.
Related Blog Posts
Here are some links to past blog posts with similar topics:
On June 3, 2018, Kansas City Youth Ballet (KCYB) performed in the Rose Garden at Loose Park . The performance is part of an annual event for Kansas City Rose Society. For more than a decade, KCYB has provided entertainment for the Rose Day celebration. Other events that day include a children’s rose craft workshop, a jazz performance by Mighty MO, a Mayor’s Proclamation, and free ice cream, lemonade and bottled water for attendees.
No Divide KC will host an event at Kansas City Ballet’s Bolender Center on Saturday, June 30 from 1 to 4 p.m. called “We Move with You.” The event is open to all ages and especially families in the community and will focus on promoting ways kids and adults with developmental delays can add to the creative landscape of Kansas City. There is a $5 suggested donation.
“I’ve wanted to do an event that highlights those with delays and disabilities for a while,” No Divide KC’s Board President Stacy Busch said.
“I have a nephew with autism. When I learned about the Adaptive Dance program, I thought this would be a great way to make something happen in a very positive way. KCBS offers lots of resources and we’re really excited to partner with them to host something in their home.”
More about No Divide KC
No Divide KC is a nonprofit arts organization that creates artistic events that highlight various social causes, organizations, and issues. Using the arts as a vehicle for stimulating social awareness, participation, and community building, these performances help garner greater attention to these underserved social areas and bolster community acceptance and collaboration in Kansas City.
No Divide KC promotes warm and accepting spaces for all people. They’ve held benefit concerts combined with ways for local community organizations to recruit volunteers and spread awareness. They’ve also created documentaries that encouraged body positivity and also under represented female identifying people in our community. This fall they will create an exhibition and documentary in conjunction with the Johnson County Library that will feature local artists from multiple minority groups.
This past weekend (March 1-4, 2018) Kansas City’s Folly Theater was teeming with tutus. It was the first time Youth America Grand Prix (YAGP) had held a Regional Semi-Final in Kansas City. It appears to be a success.
More than 300 students from all over the city, region and country competed.
Just how did KCBS stack up against the competition? Pretty well.
For the second year in a row, KCBS received the “Outstanding School Award”. Last year it was at the competition in Indianapolis. “It felt good to get it here at home. There were several schools in the running, so it wasn’t something we expected to get but we are thrilled and honored,” Holmes said.
Also of special note, Kansas City Ballet School student, Aurora Wessel (11), won the “Hope Award”. This is an award that YAGP doesn’t always give out. It is intended as a special honor for the student who exceeds in both contemporary and classical competition. It’s more prestigious than simply winning first place. Aurora placed in the Top 12 for both Contemporary and Classical dance categories in the Pre-Competitive Age Division.
The overall number of pieces performed by category by all participating schools: Pre-competitive Category (66 pieces), Junior Category (196 pieces), Pas de Deux (14 pieces; 7 were from KCBS), Ensembles (30 pieces), Senior Classical (122 pieces) and Senior Contemporary (76 pieces).
“Many of the visiting schools and the judges were pleasantly surprised at how wonderful Kansas City is and how well the arts are supported here,” Kansas City Ballet School Director Grace Holmes said. “I was surprised at how many schools locally and regionally came to KC to participate.”
It’s no secret that Kansas City is conveniently situated in the heart of the country making it an easy drive from many states or a great place for air travel. And as a new YAGP venue, there was a lot of excitement specifically because of the “unknowns”. A little unpredictability can have advantages, so in this competition it’s not a bad thing to compete in a new location.
Kansas City Ballet School students really made an impression according to KCBS YAGP Coordinator Racheal Nye, “I received such positive feedback from other schools’ students and parents about the kindness of our KCBS students towards others, and that is something I’m incredibly proud of. Our kids were wonderful ambassadors for our school.”
“I am so happy with the work that all of our coaches and teachers put into preparations for this competition. At first I was not sure about having our students participate in a competition. But Racheal changed my mind about that when she brought a small group to YAGP two years ago. The reason we now do YAGP is because of Racheal. She had the vision that in participating in YAGP, our students could expand their already intense dance education by working through the process of learning, refining and performing these solos. And on top of coaching, she single-handedly did all the administration and scheduling, not to mention costumes, makeup demonstrations and took care of so many other details,” says Holmes. Her dedication certainly paid off. See the list of KCBS accomplishments for the 2018 YAGP Regional Semi-Finals below.
Holmes would like to thank Kansas City Ballet Artistic Director Devon Carney and Kansas City Ballet Executive Director Jeffrey J. Bentley for supporting KCBS in its YAGP efforts. “It’s always a huge undertaking for the school and it puts strain on the organization to have this many kids participate. So, I appreciate them taking a leap of faith on us,” Holmes says.
FINALS IN NYC
Invitations to attend the 2018 YAGP Finals will go out soon. The Finals will be held in New York City on April 19 at Lincoln Center.
2018 YAGP, KANSAS CITY, MO, KCBS WINNERS
Outstanding School: Kansas City Ballet School
1st Place Pas de Deux Category
2nd Place Ensemble: Coda from Esmeralda (Racheal Nye)
Hope Award: Aurora Wessel (11)
Top 12: Penelope Guezuraga (11)
3rd Place: Penelope Guezuraga (11)
Top 12: Kathryn Benson (11)
Junior Classical Women
1st Place: Poppy Trettel (12)
3rd Place: Melody Sasser (14)
Top 12: Addison Diaz (14), Mia Porter (12)
Junior Classical Men
2nd Place: Grady George (13)
Top 12: Poppy Trettel (12)
Top 12: Camryn Potts (17), Grace Reed (18), Hope Wampler (16), Timothy TV Cao (15)
Top 12: Camryn Potts (17), Mina-Vasiliya Stoyanova (17), Timothy TV Cao (15)
Read previous post about the 2018 YAGP competition?
Thirty-seven Kansas City Ballet School students are registered to perform 63 entries at the Youth America Grand Prix (YAGP) Semi-finals in Kansas City March 1-4, 2018. The number has grown each of the last three years that KCBS has started organizing students to compete.
KCBS Principal and YAGP Coordinator Racheal Nye oversees the program for KCBS. “I like the idea of having an end goal all year. It motivates students. Ballet training is the long game and it can be hard to find new ways to motivate yourself to give 150% in every class. But with something like YAGP, there are smaller goals along the way that help motivate my students to continue pushing themselves. They work on these concepts of their performance and bring them into their classwork as well. It changes the way they take class and it opens them up to how lessons fit into the bigger picture.”
Right now Nye and the other coaches are focusing on stamina—running the pieces until the dancers are comfortable. She likens it a bit to the Olympics. “We’re working on last minute polishes like nuances, artistry, and presentation. We’re making sure costumes and headpieces fit and conducting stage make up tutorials.”
With the competition happening here at home, the sheer number of KCBS students and ballet coaches are the highest they’ve been. Besides the chance to perform for a panel of accomplished judges, students have the opportunity to take master classes in ballet and dance from them as well. They also get to meet kids, like them, from all over who are passionate about ballet. And, of the 10,000 students around the US and the world competing at Semi-finals, only about 1,000 will be invited to the Finals in New York City in April. KCBS is hoping to again have students selected.
This year’s KC Semi-finals performances will be held at The Folly Theater, downtown and Kansas City Ballet School is the location for master classes. The latter is very exciting to Grace Holmes, KCBS School’s director: “These master classes bring kids into our facility that have likely never been here before. The Bolender Center is a world-class facility for dance, so that’s a great thing. An added benefit is that the students may have a chance to observe our Kansas City Ballet company dancers at work in rehearsals. These YAGP students are often the most talented students at their own schools, having them in our ‘home’ gives us a chance to woo them with all we have to offer in the way of our Summer Intensive and Trainee programs.”
Nye says: “This year it’s definitely a draw to be here in KC, our students will dance in performances from classical or contemporary solos, to classical or contemporary Pas de Deux (dance for two), to small or large ensembles. It’s a lot to coordinate and it starts in the fall.”
Nye manages a lot of details for the competition including making sure everyone is registered, assisting with music selection and editing, advising on costume selection, providing makeup tutorials, arranging coaches, and providing schedules the week of the competition.
“Once YAGP publishes the order of the performances, I sit down and create schedules for all of my students of where they need to be and when,” Nye says. “It’s time consuming, but it becomes our bible during those four days.”
When asked to describe what it’s like during the competition, Nye says: “It’s hectic and busy and crowded. You kind of feel rushed and then at other times you’re just waiting around. It’s 8:30 a.m. to 9:30 p.m. each day for me. I’ll be rehearsing kids and getting them to the stage and assisting with makeup or costume issues all day. I’m grateful when a parent hands me a sandwich or a coffee… otherwise I’d never know what time it was. The 12 hours goes by really fast for me.”
This year, since the competition happens locally, more students and coaches are able to participate without travel costs.
Holmes says: “I’m really excited to see the progress the students have made with different coaches. It will be interesting to see their influences. Every teacher provides something new, different strengths, different critiques… all working together to achieve better technique, musicality and artistry.”
The students, coaches, and parents have invested so much time and energy preparing for the Semi-finals. It’s time for the fun to begin with performances, master classes and meeting the other participating students from all over. In addition to these incredible experiences, each student receives a written evaluation of his/her performance(s) offering constructive critiques for ways to improve from the judges. Nye will read all of these evaluations to determine if they offer broader ways to improve class goals for the coming year. In this way everyone benefits from the process.
What drives Nye to take on so many students for this annual competition? “I like coaching,” Nye says. “And I REALLY like classical ballet! I enjoy providing the students with so much individual attention because ultimately it really helps their confidence.”
If you’d like to attend the performances for the competition at The Folly, tickets will be available at the door for $10 for each day. You can also support the students and the school by leaving a comment on this post.
Interested in learning more about the 2017 YAGP competition?
Enrollment has already begun for Kansas City Ballet School’s wide array of classes and camps for kids ages 2-18.
Summer is a great time to try ballet. The classes are 4 or 6-week sessions that meet 1-2 times a week. It’s a nice sample of what the fall and winter semesters bring. Summer camps meet four times in one week, with a performance during the final 15 minutes of class on the last day. Camp themes include Little Mermaid, Fairy Princess or Super Hero. Additional courses and workshops are available for ages 8-18.
“Our summer programs are a great way for children to spend the summer – physical and artistic activity combined,” KCB School Director Grace Holmes says. “Students who already dance can maintain and enhance their training, and those who have never danced before can try something new.”
If your child is interested in ballet, this is the chance to try it!
With temperatures stuck below freezing in KC, what better time to begin auditions for Kansas City Ballet School’s 2018 Summer Intensive program. Nothing shakes off the chill like gearing up for summer!
Admission to Kansas City Ballet School Summer Intensive is by audition only. The five-week program is for students 11-22 years of age (females who have had a minimum of one school year of pointe work). Auditions kick off this Friday, Jan. 5 in Chicago and continue to 23 other cities throughout January and into February. Here is the complete list. KCBS will host two auditions: the first is on Saturday, Jan. 13 and the the second on Saturday, Feb. 24—the final audition.
Olivia Denson started dance classes at age 2 ½. She learned ballet, jazz, tap and gymnastics but she really loved the ballet. At age 7 it was clear she was smitten, so her parents decided to send her to Kansas City Ballet School’s Johnson County campus. “Coming here was amazing! It was a BIG change,” says Olivia. “Shortly after I switched schools, my old school shut down. So I was really, really glad to be here.”
When asked why she is drawn to ballet, Olivia admits, “I love the discipline. Ballet has so many rules and I love rules. And it just felt natural and the other [dance styles] didn’t feel natural. I love structure and repetition—it’s meditative in a way.”
What she loves about KCBS
When asked what she likes most about KCBS, she has trouble picking just one thing: “One of the main things I love is the building. Huge studios and natural light. We are so lucky! I have different teachers each day of the week so I get many different perspectives during the week. I love the teachers at KCBS so much. And I love that we have the opportunity to dance in professional shows.”
Olivia has been part of several KCB Company productions including Cinderella, The Sleeping Beauty, and seven years of The Nutcracker. “I was so excited when I was asked to dance in the ‘Garland Waltz’ in The Sleeping Beauty last season,” Olivia says. “I actually got a role that was mostly given to Trainees. It was a great experience—a big deal. I enjoyed getting to know the Trainees and ask their advice.”
As part of her preparation, Olivia also has been part of Kansas City Youth Ballet, directed by Kimberly Cowen. She likes the company feeling that being part of KCYB brings. Along with the corps work and the fact that they also get to dance contemporary works, working directly with choreographers, especially the company members like Molly Wagner and Charles Martin, makes KCYB a very worthy experience.
Lots of Support
Tuition can be expensive, and for a budding dancer spending your summers in intense training is important. “For my first two Summer Intensives we did a silent auction with our family and friends,” Olivia says. “Family and friends donated items and services—like our dentist donated an electric toothbrush or a teeth whitening package. It seemed like everyone wanted to help however they could. We raised around $2,000 each year to help pay for my SI program. These same folks buy tickets to watch me perform as part of KCYB as well. I’m lucky to have so much support.”
A Dream of Dancing
Her dream started years ago at a Kansas City Ballet performance. “I love watching the professional company shows. And once I saw Miss Kim [Kimberly Cowen] dance, I knew that’s what I wanted to do. I once asked her to sign my ticket to one of her last performances.”
She knows she wants to become a professional dancer someday. She says, “That’s the coolest job! I would love to stay here as part of KCB. I love KC and we just have such great facilities here. I’ve been to other places and I just feel like we are so lucky here.”
All photography by Brett Pruitt & East Market Studios.
Kansas City Ballet School (KCBS) is raising its international profile with the enrollment of three Bulgarian students in its Daytime Program. KCBS’s Daytime Program is in its second year, but already it’s making a name for itself.
In its inaugural year, the program ended with 27 students. Three of those 27, have graduated and been accepted into Second Companies of professional ballet companies or have been invited into prestigious college dance programs. This fall there are 29 as the school year begins. Of those, more than half have returned for their second year. Six decided to join the Daytime Program after attending the recent Summer Intensive in 2017. Three joined from within the KCBS family and four were new to the school entirely. Students in this year’s program represent seven states including: Connecticut, Hawaii, Idaho, Kansas, Missouri, New Jersey, and Texas; and, as mentioned, the country of Bulgaria.
The KCBS Daytime Program
Just what is the Daytime Program? It’s a program for qualifying students who have not only shown promise as dancers, but who are passionate about becoming professional dancers at some point. The program gives students the chance to put dance in the forefront of their days when their energy is at its best. Students are responsible for their own academics, outside of class. Most join an online school program and focus on their studies during breaks, in the evenings and on the weekends.
The youngest participants were 10 when they joined the program last year, making them 11 now. Overall the program allows for 5 to 8 extra hours of training each week. And in addition, many of the students aged 14 and older also participate in Kansas City Youth Ballet (the performing group for the school) and/or the Youth America Grand Prix competition.
“If you have a student enrolled in the Daytime Program, dancing as part of KCYB, and participating in Youth America Grand Prix competition, they are going to be dancing around 33 hours per week. And many of our students are doing just that,” says KCBS Director Grace Holmes. “This program doesn’t take anything away from traditional ballet school training that happens in the evenings and on weekends, but it does give an option that many students and their families are very excited about.”
Drawing Students from Outside KC
Of the Daytime Program students, there are five that moved to KC to participate and at least one of their parents made the move with them. Another five have come on their own without a parent and now live with host families or on their own because they are at least 18. And then you have the three Bulgarians who also live with host families.
Mina Stoyanova (17), Iren Veleva (15) and Simeon Atanasov (16) all danced at the same ballet school in Bulgaria. Two years ago UMKC Conservatory of Dance’s Paula Weber (who often guest teaches at KCBS’s Summer Intensive program) was guest teaching at their school in Bulgaria. She identified their talent and encouraged them to attend KCBS’s 2016 Summer Intensive. Mina and Iren came in the summer of 2016. And Mina returned to KC in January of 2017 to begin the program. Iren waited another year since she was younger. Simeon waited to attend the 2017 Summer Intensive at KCBS and he and Iren decided to begin their full-time education here this year.
When asked why they would travel so far for ballet training, the three agreed: “Because the training here is very good. We really like the classes and that we dance all day.” Simeon also mentioned, “I really like that we have a male Russian teacher.”
These students will travel home for holiday breaks and will be tested over academics then. They are learning their basics through text books on their own while in KC.
One thing is certain, the Daytime Program is here to stay. And with it, Kansas City Ballet is closer to fulfilling its mission to be “Always On” with programming happening all day every day the building is open.